Stranger Suggests: Hypnotic Synth Music, an Exhibit with More Than 1,400 Artists, and a Cathartic Play Where the Bad Man Gets What's Comin'

Joy McCullough wrote the play in the summer of 2024, when Project 2025 was a conservative pipe dream, and the idea of a small feminist theater collaborating with a toxic Hollywood has-been in a last-ditch effort to dig themselves out of financial ruin was an entertaining exercise in fiction. Conceived by Seattle-based artist and software designer Nathan Langston, the premise is simple: Just like the children’s game, one work of art gets punted along (without context) to multiple recipients, who then interpret it as a new work of art, and so on until there’s a giant family tree of whispered artworks that have evolved in infinite ways. The owner looks like he might have run a cult at one point (complimentary), and before he sets you free in the orchard, he shares the history of the farm, and explains what pests to look out for (some make the apples sweeter!)

Author: Julianne Bell

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