Starting with an aerial shot of someone riding a motorcycle, putting the kickstand down, taking off the helmet, and walking into a familiar residence, it's not until the very end of the Steve Rogers Doomsday trailer that a slow pan up from the baby to Evans' face that his return is fully confirmed. We look at the trailer as a very different experience than the movie, and I think audiences are so predictive now that you have to be very smart about how you craft a trailer because an audience can watch a trailer and basically tell you what’s gonna happen in the film. So at our disposal are lots of different shots that aren’t in the movie that we can manipulate through CG to tell a story that we want to tell specifically for the purpose of the trailer and not for the film.
Author: Cooper Hood
Published at: 2025-12-24 23:30:18
Still want to read the full version? Full article
